As I gaze into the world, I realize that nothing falters in its ability to reflect what I’ve come here to see. My challenge remains …
From a palpable and utter stillness, it is as if the subject ‘is being spoken’. They are not speaking ‘to’ or ‘at’ the world in expectation of something in return, as is so often the case. Here, there is nowhere to hide. Here there is no need to hide. Here there is the letting go of control. The control that kept us from seeing one another.
Might the eyes really be a window to the soul? And if so, what then? Filmed in unusual fashion for the early days of Soul Biographies. But now I have come to understand the importance of patience, stillness and unflinching human contact. The film asks if you are able to see beyond your assumptions.
This is unusual. Filmed Fall of 2019. This 30 minutes of footage is pretty much uncut. Insights, admissions and all. It is deeply reflective and revealing of where this work is now to be pointed, and the contrarian nature of life and purpose finding you rather than you heading off to find it.
Each of us stand seemingly alone, as we cry out for evidence that we belong. And as we cry out silently through the actions of our every day, we step further from our own sight. Further from the experience of our one same heartbeat. But in the flicker of a single moment …
If I am to be entirely honest you would be a fool not to give this you full and undivided attention for its full and undivided duration. I imagine the experience will contribute in ways you might not be able to place words against. It is a profound wondering about the experience of life, death and cancer.
I don’t know. But I know that I don’t know. I love that I don’t know. That I can never know for sure. So I have stopped looking to understand you. Or convince you …
This film concerns the terrifying experience of being seen. And there is no modern day pacing to carry you through this film. No drama to help frayed attention. Such is the quiet and subtle experience of the profound.
There is a Grand Human Predicament. It is that we seek to become enough, yet we never seem to be. There is a reason. The possibility of an antithetical counterview on life started The Point of Us. A simpler way. This is an outline in eight images.
‘We are a Work in Progress.’ And so lives the perilous myth on which our human existence appears to have built itself. We are not yet enough. There is someone we must become. This life has conditions. This piece is central to the way of all of this. And contrarian, if not dangerous.