Might the eyes really be a window to the soul? And if so, what then? Filmed in unusual fashion for the early days of Soul Biographies. But now I have come to understand the importance of patience, stillness and unflinching human contact. The film asks if you are able to see beyond your assumptions.
This is unusual. Filmed Fall of 2019. This 30 minutes of footage is pretty much uncut. Insights, admissions and all. It is deeply reflective and revealing of where this work is now to be pointed, and the contrarian nature of life and purpose finding you rather than you heading off to find it.
We won’t have peace until we can both agree,’ said the two fools on either side of an argument. ‘We won’t have peace until the other gives way,’ said each about their foe. But peace could never be had …
A profound observation of disconnectedness and the pathway to interconnectedness in the violent Klamath Conflict. Relevant to all conflict. The process of vulnerability and truth is more important than one could ever imagine.
In the protracted Klamath Conflict in Oregon, a Farming Community Leader came to the revelation that the things that he held as fact weren’t, people that he once thought of as evil and selfish were not, and that he was part of the problem. And such revelations changed everything.
We level our ire at the world around us. The world with which our opinion so often disagrees. But might our energy be better focused on the experience within our own personal jurisdiction. This was filmed from deep within the experience of a thoughtful life lived through desegregation in Alabama. This film is the epitome of the experience of peace.
Living through the protracted experience of dispossession, Jeff Mitchell alongside others has seen a way through the pain of generations. Some in the Klamath Basin have a collective realization that when one truly knows another there is the vast possibility to transform everything.
This film concerns the terrifying experience of being seen. And there is no modern day pacing to carry you through this film. No drama to help frayed attention. Such is the quiet and subtle experience of the profound.
‘We are a Work in Progress.’ And so lives the perilous myth on which our human existence appears to have built itself. We are not yet enough. There is someone we must become. This life has conditions. This piece is central to the way of all of this. And contrarian, if not dangerous.
This footage is revealing of what is under all Soul Biographies Inner View. Most probably a must for all drawn to the nature of these films. There is a field. This field is the very atmosphere in which I film. It elicits something different in nature. In Dallas, I sat in this field. This time, in front of the camera. And this is what happened.